QCGU Students present a performance centred round works featuring the piano.

A showcase of emerging talent with QCGU’s premier jazz ensemble, directed by Steve Newcomb.

The Conservatorium Symphony Orchestra and the Conservatorium Singers, conducted by Johannes Fritzsch, performs Gustav Holst’s legendary 7-movement orchestra suite, inspired by each planet in the solar system. The program will also feature a new commissioned Graduation work by Australian composer, Melody Eötvös for orchestra and choir.

A lunchtime feast of masterworks for strings.

Come and join the feel good sax quartet Crunchy Chickpea Salad for their first concert of the year. With a varied program from Classical French to experimental and contemporary pieces there is something for everyone. Say hello to the four wonderful humans: Ella, Nina, Abby and Emily for an lunchtime of saxophone fun!

Join our saxophonists for a smooth lunchtime experience.

Students and staff of the Conservatorium are joined by Tibetan singer/songwriter Tenzin Choegyal for a very special performance, including a new work co-written with students.

More new works from our talented Composition students.

An exciting evening of music from student-led bands and collaborations.

Queensland Conservatorium’s resident percussion group Ba Da Boom present an invigorating showcase of works for drums, gongs, xylophones and more.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

A lunchtime feast of masterworks for strings.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

QCGU Students present a performance centred round works featuring the piano.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

An exciting evening of music from student-led bands and collaborations.

A live music showcase of first, second and third year popular music students.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Spend your lunchtime with the cream of the QCGU Wind Department crop.

Riverside Ensemble features Queensland’s finest young professional guitarists alongside QCGU’s leading guitar students in an exciting program of music from around the world.

Sometimes Bold, Sometimes Beautful, Sometimes both. The students from the Brass Department perform a program of brass classics.

An exciting evening of music from student-led bands and collaborations.

Continuum jazz ensemble promises to blow you away with a program of jazz classics and more.

Il ritorno d’Ulisse in patria

by Elena Kats-Chernin

Dramma per musica
(1640/2012)after Claudio Monteverdi
Libretto by Giacomo Badoaro

Based on stories from Homer’s Odyssey, Il ritorno d’Ulisse in patria tells the story of Penelope’s 20-year wait for the return of her husband, Ulysses after the Trojan wars.

This modern adaptation of the 1640 Monteverdi opera by Uzbekistan-born Australian composer, Elena Kats-Chernin, was premiered at the Komische Oper Berlin in 2012, and explores the tenacity of a wife’s refusal to accept that her husband may not return as the rest of the world has moved on.

Conducted by the Conservatorium’s Professor of Opera and Orchestral Studies, Johannes Fritzsch; directed by award-winning director and filmmaker Constantine Costi; and designed by Isabel Hudson, whose previous work included 2024’s Puccini Double Bill, this is sure to be an unmissable event.

Sublime sounds from our Guitar and Harp students.

QSO Concertmaster Natsuko Yoshimoto joins QCGU Head of Chamber Music Daniel de Borah for a recital of works for Violin and Piano by Schumann, Ravel and Prokofiev.

Join our premier jazz vocalists with a programme of classics

Il ritorno d’Ulisse in patria

by Elena Kats-Chernin

Dramma per musica
(1640/2012)after Claudio Monteverdi
Libretto by Giacomo Badoaro

Based on stories from Homer’s Odyssey, Il ritorno d’Ulisse in patria tells the story of Penelope’s 20-year wait for the return of her husband, Ulysses after the Trojan wars.

This modern adaptation of the 1640 Monteverdi opera by Uzbekistan-born Australian composer, Elena Kats-Chernin, was premiered at the Komische Oper Berlin in 2012, and explores the tenacity of a wife’s refusal to accept that her husband may not return as the rest of the world has moved on.

Conducted by the Conservatorium’s Professor of Opera and Orchestral Studies, Johannes Fritzsch; directed by award-winning director and filmmaker Constantine Costi; and designed by Isabel Hudson, whose previous work included 2024’s Puccini Double Bill, this is sure to be an unmissable event.

Il ritorno d’Ulisse in patria

by Elena Kats-Chernin

Dramma per musica
(1640/2012)after Claudio Monteverdi
Libretto by Giacomo Badoaro

Based on stories from Homer’s Odyssey, Il ritorno d’Ulisse in patria tells the story of Penelope’s 20-year wait for the return of her husband, Ulysses after the Trojan wars.

This modern adaptation of the 1640 Monteverdi opera by Uzbekistan-born Australian composer, Elena Kats-Chernin, was premiered at the Komische Oper Berlin in 2012, and explores the tenacity of a wife’s refusal to accept that her husband may not return as the rest of the world has moved on.

Conducted by the Conservatorium’s Professor of Opera and Orchestral Studies, Johannes Fritzsch; directed by award-winning director and filmmaker Constantine Costi; and designed by Isabel Hudson, whose previous work included 2024’s Puccini Double Bill, this is sure to be an unmissable event.

A journey through a century of German-language song, without words. Flautist Tim Munro and pianist Stephen Emmerson explore the liminal space between song and instrumental music. Franz Schubert’s dark Variations on Trockne Blumen and Clara Schumann’s radiant Romances are linked to lieder composers including Schubert, Schumann, Wagner, Alma Mahler and Webern.

Emmerson and Munro have been friends for many years, but this will be the first full-length project they have devised and presented together. Without Words is part of the 4MBS Festival of Classics.

The pinnacle of refinement: dine in three delights of the classical era. Mozart adored composing piano concertos, and his Piano Concerto No. 27 is his final work of this form. Having written 26 others before it, the maturity and artistry of this concerto is, unsurprisingly, astounding. Australian pianist Daniel de Borah has a history of acclaimed Mozart interpretations, many alongside Chief Conductor Umberto Clerici, and the duo offer grace and sensitivity in their approach to this miraculous work.

Haydn’s Symphony No. 49 (La passione) is a rare touch of darkness in the composer’s catalogue, as the sombre and stormy reign supreme. But don’t worry, it’s not all serious, Rossini’s La Cenerentola Overture is bright, bold and energetic.

The pinnacle of refinement: dine in three delights of the classical era. Mozart adored composing piano concertos, and his Piano Concerto No. 27 is his final work of this form. Having written 26 others before it, the maturity and artistry of this concerto is, unsurprisingly, astounding. Australian pianist Daniel de Borah has a history of acclaimed Mozart interpretations, many alongside Chief Conductor Umberto Clerici, and the duo offer grace and sensitivity in their approach to this miraculous work.

Haydn’s Symphony No. 49 (La passione) is a rare touch of darkness in the composer’s catalogue, as the sombre and stormy reign supreme. But don’t worry, it’s not all serious, Rossini’s La Cenerentola Overture is bright, bold and energetic.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

An Evening in Concert is a celebration of where the musical theatre students are at towards the end of their second year of training. They have all challenged themselves with the material they have chosen to perform, and they look forward to sharing these beautiful songs with you. 

The concert will offer the discerning musical theatre lover the chance to witness the first public performances from these talented second-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

An Evening in Concert is a celebration of where the musical theatre students are at towards the end of their second year of training. They have all challenged themselves with the material they have chosen to perform, and they look forward to sharing these beautiful songs with you. 

The concert will offer the discerning musical theatre lover the chance to witness the first public performances from these talented second-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.