Step back in time and bask in the magnificence of Vivaldi’s Venice, where orchestra and singers joined as one in splendid celebration of Vespers.

Most famous for his Four Seasons and the Gloria, Vivaldi’s Vespers takes us into a musical world no less vibrant nor colourful than those popular standards.

Under the direction of Graeme Morton, experience the Red Priest’s masterpiece at this special performance by Brisbane Chamber Choir, Brisbane Chamber Players, soloists Sara Macliver (soprano) and Michael Burden (countertenor), with special guest Ed Le Broq to deliver the pre-concert talk.

The collective Ways by Ways (Tim Munro, Rebecca Lloyd-Jones and Alex Raineri) create a calming moment of ambient joy in the Conservatorium Foyer

Enjoy an evening of song from the talented third-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

 As they commence their professional year of Musical Theatre studies in the prestigious studios of QPAC, these young artists contemplate their journey so far and the exciting path ahead. It’s an evening of comedy, drama and personal reflections, featuring songs both well known and rarely performed. 

 An Evening In Concert will offer the discerning musical lover the chance to witness these captivating young performers on the precipice of their careers. 

Ysolt Clark and Ben Marks will present a concert of new works for Horn and Trombone accompanied by pictures of the Universe.

Enjoy an evening of song from the talented third-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

 As they commence their professional year of Musical Theatre studies in the prestigious studios of QPAC, these young artists contemplate their journey so far and the exciting path ahead. It’s an evening of comedy, drama and personal reflections, featuring songs both well known and rarely performed. 

 An Evening In Concert will offer the discerning musical lover the chance to witness these captivating young performers on the precipice of their careers. 

Enjoy an evening of song from the talented third-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

 As they commence their professional year of Musical Theatre studies in the prestigious studios of QPAC, these young artists contemplate their journey so far and the exciting path ahead. It’s an evening of comedy, drama and personal reflections, featuring songs both well known and rarely performed. 

 An Evening In Concert will offer the discerning musical lover the chance to witness these captivating young performers on the precipice of their careers. 

Enjoy an evening of song from the talented third-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

 As they commence their professional year of Musical Theatre studies in the prestigious studios of QPAC, these young artists contemplate their journey so far and the exciting path ahead. It’s an evening of comedy, drama and personal reflections, featuring songs both well known and rarely performed. 

 An Evening In Concert will offer the discerning musical lover the chance to witness these captivating young performers on the precipice of their careers. 

Enjoy an evening of song from the talented third-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

 As they commence their professional year of Musical Theatre studies in the prestigious studios of QPAC, these young artists contemplate their journey so far and the exciting path ahead. It’s an evening of comedy, drama and personal reflections, featuring songs both well known and rarely performed. 

 An Evening In Concert will offer the discerning musical lover the chance to witness these captivating young performers on the precipice of their careers. 

Celebrate Hungary’s national day with  György Déri  and Roger Cui and a programme of masterworks from Hungarian composers including Franz Liszt, Béla Bartók, Zoltán Kodály, Leó Weiner and Ernő Dohnányi.

In Peak Plastique, ordinary plastic objects are transformed into extraordinary soundscapes as we take you on a sonic journey into the world of plastic. Featuring 11 exquisite musical compositions accompanied by evocative animations, Peak Plastique explores the intricate patterns and structures of plastic molecules, and examines the ubiquitous presence of plastic in our environment.

​Peak Plastique is produced and performed by Queensland-based Australian innovators Clocked Out, known for presenting fantastical, collaborative, experimental, place-led musical events. Drawing on decades of sonic curiosity across the fields of classical, jazz and experimental music traditions, pianist Erik Griswold, percussionist Vanessa Tomlinson team up with Melbourne-based violinist Anna McMichael and video artist Nick Roux to ponder one of the most significant problems of our time – our complex relationship with plastics.

Each work is accompanied by evocative animations created by Nick Roux, including breathing plastic bags, falling raindrops of plastic bottles, swaying colourful straws, and dancing Glad Wrap-encased rocks. The music expresses both a nostalgic longing for a time when seas were cleaner, while others present a stark, reflective look at the friction between futuristic hopes for sustainability and the tough realities of our plastic-filled world.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

Carrie White is a teenage misfit. She’s an outcast who is bullied by the popular crowd, and virtually invisible to everyone else. At home, she’s dominated by her loving but cruelly controlling and overprotective mother. What none of them know is that Carrie’s just discovered she’s got a special power, and if pushed too far, she’s not afraid to use it …

Based on Stephen King’s bestselling novel, this updated and contemporary version of the original Broadway production, Carrie: The Musical is set in modern-day Chamberlain, Maine, USA. It features a book written by Lawrence D. Cohen (screenwriter of the classic film), music by Academy Award winner Michael Gore (Fame, Terms of Endearment), and lyrics by Academy Award winner Dean Pitchford (Fame, Footloose).

Content warnings: may contain sexual references, adult themes, depictions of bullying, blood, violence and death, use of strobe lighting, haze and smoke. Recommended for ages 16+. This event is supported by the QPAC 40 program, celebrating 40 years of curiosity, inclusion, gathering and stories.

The pinnacle of refinement: dine in three delights of the classical era. Mozart adored composing piano concertos, and his Piano Concerto No. 27 is his final work of this form. Having written 26 others before it, the maturity and artistry of this concerto is, unsurprisingly, astounding. Australian pianist Daniel de Borah has a history of acclaimed Mozart interpretations, many alongside Chief Conductor Umberto Clerici, and the duo offer grace and sensitivity in their approach to this miraculous work.

Haydn’s Symphony No. 49 (La passione) is a rare touch of darkness in the composer’s catalogue, as the sombre and stormy reign supreme. But don’t worry, it’s not all serious, Rossini’s La Cenerentola Overture is bright, bold and energetic.

The pinnacle of refinement: dine in three delights of the classical era. Mozart adored composing piano concertos, and his Piano Concerto No. 27 is his final work of this form. Having written 26 others before it, the maturity and artistry of this concerto is, unsurprisingly, astounding. Australian pianist Daniel de Borah has a history of acclaimed Mozart interpretations, many alongside Chief Conductor Umberto Clerici, and the duo offer grace and sensitivity in their approach to this miraculous work.

Haydn’s Symphony No. 49 (La passione) is a rare touch of darkness in the composer’s catalogue, as the sombre and stormy reign supreme. But don’t worry, it’s not all serious, Rossini’s La Cenerentola Overture is bright, bold and energetic.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

A Chorus Line examines one day in the lives of seventeen dancers, all vying for a spot in the “chorus line” of a Broadway musical. After the first round of cuts, Zach, the director, asks each dancer to speak about themselves. Discomfort opens into revelation, confession leads to redemption, and within the bright, outwardly homogenous chorus, the audience begins to see each dancer’s individuality. From Cassie, the star who just needs the “music and the mirror and the chance to dance,” to Val, a small-town girl with a brand-new big-town body, to Mike, who took his sister’s place in dance class, saying “I can do that.”

Based on real Broadway dancers’ stories, A Chorus Line is a funny, heartbreaking, and refreshingly honest musical capturing the spirit and tension of a Broadway chorus audition.

This special 50th anniversary production, performed in conjunction with Griffith University’s 50th anniversary celebrations, will be performed by all current Bachelor of Musical Theatre students, and feature 3rd years in principal roles.

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

The Queensland Academy of Excellence in Musical Theatre’ presents the Class of 2025 Musical Theatre Showcase. Featuring some of the industry’s most rich and moving repertoire, this event has been superbly crafted to create a talent-packed showcase, spotlighting the Bachelor of Musical Theatre graduating students of 2025. 

An Evening in Concert is a celebration of where the musical theatre students are at towards the end of their second year of training. They have all challenged themselves with the material they have chosen to perform, and they look forward to sharing these beautiful songs with you. 

The concert will offer the discerning musical theatre lover the chance to witness the first public performances from these talented second-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

An Evening in Concert is a celebration of where the musical theatre students are at towards the end of their second year of training. They have all challenged themselves with the material they have chosen to perform, and they look forward to sharing these beautiful songs with you. 

The concert will offer the discerning musical theatre lover the chance to witness the first public performances from these talented second-year students of the Queensland Academy of Excellence in Musical Theatre, Griffith University. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

It’s about one moment. It’s about hitting the wall and having to make a choice… or take a stand… or turn around and go back. These are the stories and characters of today, the Songs for a New World. The first musical written by Tony Award winner Jason Robert Brown (Parade, Bridges of Madison County), this moving collection of powerful songs examines life, love and the choices that we make. 

With a rousing score that blends elements of pop, gospel and jazz, tight harmonies, daring vocals and creative choreography, Songs for a New World appeals to old and new generations alike. 

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.

We were first introduced to Raymond Briggs’ magical, awe-inspiring world of The Snowman in 1978, and his picture book was developed into an Oscar-nominated film just four years later. Directed by Dianne Jackson and featuring an original score by Howard Blake, the animated film brings Briggs’ visionary tale to life, following James and his Snowman as they embark on a wondrous journey one winter’s night.

Over the past 40 years, The Snowman has firmly become part of the fabric of Christmas and winter celebrations. The dreamlike narrative still perfectly captures the imagination and wonder of childhood, continuing to be enjoyed and embraced across generations.

The Snowman in Concert is presented under license from Snowman Enterprises Ltd and Chester Music Ltd.